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DISCOGRAPHY
Latest album - Ochre
Cloud Valley CV 2008
2004
It’s relatively common to hear
British musicians investigating foreign traditions; indeed Andrew Cronshaw
himself explored Finnish music with his last album, On The Shoulders Of The
Great Bear, made in
The result, with each of the seven tracks using as its starting point a song melody from English tradition, is inventive, image-rich and voluptuous. The team that gathered at Dreamworld studio, in the green rolling countryside near the south-west tip of Wales, comprises Syrian qanun and oud virtuoso Abdullah Chhadeh, the great Welsh triple-harpist Llio Rhydderch, Arabic vocal diva Natacha Atlas, Pontic lyra virtuoso Matthaios Tsahourides from northern Greece, multi-talented Australia-resident Brit Ian Blake on bass clarinet, clarinet, soprano sax and prepared piano, Irish double bassist Bernard O’Neill, and Cronshaw himself on electric zither, the 6 foot long Slovakian flute fujara, Chinese brass-reeded ba-wu and other irregular instruments from the shelf marked “what’s that?”
See the Press page for fuller reviews, and the Contact page for retail, distribution and online sources of Ochre
"It's exotic and
mysterious, and it comes as a shock to realise that the music being played is
actually English"
- Colin
Irwin, fRoots
"Don't worry about categorising this
album as folk, classical, world or any other kind of music - just file under
Essential"
-
Mel McLellan, BBCi
"Beautiful, evocative music... an album
that will surely be welcomed with open arms throughout the world!"
- Charlie Gillett, BBC London & BBC
World Service
"Fabulously restrained and
crystalline-cool... splendidly unclassifiable"
- Peter Culshaw, The Observer
"The musicians
feel their way into the material with supreme delicacy... But it's the sense of
rootedness in a gritty marginal England that allows this music its brush with
profundity"
- Mark Hudson, The Daily Telegraph
"One of the
finest albums of the year"
- Fiona Talkington, BBC Radio 3 Late Junction
Award nominations:
"Ochre" was nominated as one of the short-list of four CDs for the Critics' Award in the 2005 BBC Radio 3 Awards for World Music, along with "The Living Road" (Lhasa, Canada, Warner Jazz), "Amassakoul" (Tinariwen, Mali, Triban Union/Emma) and "Egypt" (Youssou N'Dour, Senegal, Nonesuch).
Andrew Cronshaw was nominated as one of the short-list of four in the Musician of the Year category of the 2005 BBC Radio 2 Folk Awards, along with Martin Simpson, Chris Stout and Kathryn Tickell.
1 The
colour of the rose
(Trad/Cronshaw/Chhadeh) 12.47
Zither – Andrew Cronshaw / qanun –
Abdullah Chhadeh
2
Lucy wan
(Trad arr. Cronshaw/O’Neill/Orchard-Lisle) 2.57
Harmonic whistle – Andrew Cronshaw /
double bass – Bernard O’Neill / horses, birds and a fly – Mother Nature
“I ail and I ail, dear brother” she cries, “and I’ll tell you the reason why;
there is a child between my two sides, and it’s of you dear brother and I”...
…“Oh what is that blood on the point of your sword, my son come tell to me?”
“Oh that is the blood of my greyhound, he would not run for me.”
“But your greyhound's blood it was ne'er so red; my son come tell to me.”
“Oh that is the blood of my grey mare, he would not ride with me…”
3
The shores of Turkey
(Trad/Cronshaw/Chhadeh/Blake/Rhydderch/O’Neill) 7.35
Listen
(web quality only)
Oud – Abdullah Chhadeh / zither, dizi,
quenacho, whistle, ba-wu, fujara – Andrew Cronshaw / soprano sax – Ian Blake /
triple harp – Llio Rhydderch / double bass – Bernard O’Neill
4 Y garreg las – the blue rock
(Trad/Rhydderch) 3.51
Triple harp – Llio Rhydderch
5 No trust in a man
(Trad/Collins/Chhadeh/Blake/O’Neill/Cronshaw) 9.59
Gu-cheng – Andrew Cronshaw / qanun –
Abdullah Chhadeh / clarinet – Ian Blake / double bass – Bernard O’Neill
6 The broom-field hill
(Trad. arr.
Cronshaw/Blake/Rhydderch/Atlas/O’Neill) 6.52
Fujara, whistle – Andrew Cronshaw / double
bass – Bernard O’Neill / triple harp – Llio Rhydderch / prepared piano – Ian
Blake / vocal – Natacha Atlas
“Sound was the sleep he took, he slept till it was noon… the lady came, left her
ring, and away”.
She wins the bet, perhaps magically; he blames his horse, his hawk, his
greyhound, for not waking him.
“Had I been awake when she was here, of her I would had my will; or all the
birds in this green broom, with her blood they should had their fill”.
7 Sofía, the Saracen’s daughter
(Tune:
Trad/Atlas/Chhadeh/Cronshaw/Blake/Tsahourides, Lyrics: Trad/Atlas/Chhadeh) 10.09
Vocal – Natacha Atlas / ba-wu, zither,
fujara – Andrew Cronshaw / oud – Abdullah Chhadeh / Pontic lyra – Matthaios
Tsahourides / bass clarinet, piano, – Ian Blake
“A noble lord of high degree…some foreign country he would go see.
He sailèd east and he sailèd west until he came to famed Turkey…
where he was taken and put in prison. His jailer had one only daughter, the
fairest creature...”
They make a love pact; she steals the keys; he leaves.
The years pass, so she sets off on a long journey to find him…
The starting points for these seven tracks
were the tunes of seven traditional songs sung in England within the past
century:
A Rosebud in June,
from the singing of Cyril Tawney; earlier in the chain, in 1904, it was sung by
William King, West Hastree, Somerset, to Cecil Sharp.
The incest ballad Lucy
Wan, from the singing of Kate Jamieson,
who probably learned the Lydian tune from Martin Carthy, who learned it from A.
L. Lloyd; where the latter got it from remains uncertain.
The Royal Oak
was sung by Moses Mansfield, Haslemere, Surrey, to Clive Carey in 1912.
Salisbury Plain was
sung by Mr and Mrs Verral, Horsham, Sussex to Ralph Vaughan Williams in 1904.
Our Captain Cried, from
the singing of Shirley Collins. I couldn’t find the source of the beautiful and
classic tune she’d used, and I quote on gu-cheng at the beginning of No Trust In
A Man; on asking her, she modestly admitted it was her own, a variant of the
Blacksmith/Captain Cried tune family.
The Broomfield Hill ,
sung by Mrs. Powell, Weobley, Herefordshire to Ella M. Leather and Ralph Vaughan
Williams in 1910.
Lord Bateman, from a
cylinder recording made in 1908 by Percy Grainger of the subtle singing of
Joseph Taylor, Saxby-All-Saints, Lincolnshire. (How Sofía’s story ends most
books of English or Scottish ballads, or an internet search on “Lord Bateman”,
will reveal). The Joseph Taylor recordings, of Lord Bateman and other songs, are
a window on another way of music, and were a touchstone during the making of
this album.
Perhaps there’s something distinctively English about these
tunes, perhaps not, but the stories related in their traditional lyrics often
didn’t originate in England, nor even Britain. A good story lasts, travels and
jumps language barriers; versions of most of them have been sung in many
languages, to many related and unrelated tunes, across Europe and beyond for
centuries, with each singer, intentionally or not, modifying them to suit
themselves and their own cultural framework. Many express universals that can
continue to entertain, perhaps with twists and changes to fit changing times,
vocabulary and audiences. Some other stories diminish in relevance – for example
the song known as The Royal Oak recounts triumph in a 17th-century sailing-ship
battle between countries no longer enemies – but, like a good story, a strong
tune gets quoted or reworked and carried onward to a new life.
Tracks 3, 4, 5, 7 recorded at Dreamworld
studio, Priskilly Fawr, Pembrokeshire, Wales - engineer Antti Rintamäki. Tr.6 at
Dreamworld and The Blue Studio - engineers Antti Rintamäki & Andrew Tulloch.
Tr.1 at Cloud Valley studio, London - engineer Jamie Orchard-Lisle. Tr.2 at
Cloud Valley studio - engineer Jamie Orchard-Lisle - and by AC on a high pasture
above the village of Amasa, Gipuzkoa, Euskadi.
Mastered by Andrew Tulloch at The Blue Studio, London
Produced by Andrew Cronshaw, with Ian Blake (trs. 3-7) & Jamie Orchard-Lisle (trs.
1-2)
UK buyers: to buy this CD (£11 inc. post & packaging) from Cloud Valley Music using a credit card or PayPal, click this "add to cart" button:
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Previous album:
On the Shoulders of the Great Bear
Cloud Valley CV 2007 (2000)
Click here for more info
Other solo Albums, 1974-2000, in chronological order...
A is for Andrew, Z is for Zither
LP, Transatlantic XTRA 1139, (1974)
Click here for more info
Earthed in Cloud Valley
LP, Trailer LER 2104, (1977)
Click here for more info
Wade in the Flood
LP, Transatlantic The Leader Tradition LTRA 508 (1978)
Click here for more info
The Great Dark Water
LP, Waterfront WF 009 (1982), and on cassette Waterfront WF 009c (1991)
Click here for more info
Till the Beasts' Returning
LP, Topic 12TS 447 (1988), & later on cassette as KTSC 447
(All except tracks 5 & 8 later appeared on The Andrew Cronshaw CD (Topic TSCD 447) (1989), see below)
Click here for more info
The Andrew Cronshaw CD
(Topic TSCD 447) (1989)
Comprises all of The Great Dark Water, and all except tracks 5 & 8 of Till the Beasts' Returning. See entries for those for details
The Language of Snakes
(1993). CD & cassette on Topic's Special Delivery label (SPDCD 1050, SPDC 1050) and in Spain on Sonifolk's Lyricon label (Lyricon 21046)
Click here for more info
OTHER RECORDINGS
Cronshaw tracks on compilations:
On The Cutting Edge - a selection of contemporary British roots music
(LP, Cooking Vinyl GRILL 001), specially recorded track
A Debatable Land
(solo zither).
On Circle Dance
(CD, Hokey Pokey ConeD, 1990), specially recorded track
Maid in Bedlam (Moldovan flute, with Bernard O'Neill on double bass, and solo zither).
(Existing album tracks appear on various compilations including those by
Topic,
fRoots
and the European Forum of
World Music Festivals.)
Sessions include albums by Scott Walker,
Martin Simpson, BJ Cole, Suede, Silly Sisters, Ralph McTell, Ute Lemper, Salamakannel, Ric Sanders, Roger Nicholson, Vo and Rachel Fletcher, Ashley Hutchings, Paul Metsers, Philip Pickett's New London Consort, Bernard O'Neill, Nikolai Blad, Pascal Gaigne, Hannu Saha,
Natacha Atlas and others, plus TV and various
films.
Production: includes albums by
June Tabor
(Abyssinians and
Aqaba),
June Tabor & Maddy Prior as
Silly Sisters (No More to the Dance),
Pyewackett (The Man in the Moon Drinks Claret),
Zumzeaux (Wolf At Your Door
and Blazing Fiddles),
Bill Caddick (The Wild West Show
and Bill Caddick's Urban Legend),
Salamakannel (Koivunrunkorakkautta),
Nikolai Blad (Nikolai Blad), and mix production of albums by
Flook (Flatfish)
and Hannu Saha (Mahla).