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Written in fRoots issue 249, 2004

URBAN TRAD
Sanomi
Universal Belgium 9865427 (2003)

Yves Barbieux’s compositions pillaging Riverdance, Hedningarna, Bretons, La Bottine et al gather in a programmed Pan-Euro swamp – look, there’s the ominous-synthy-beast, the low-whistle-bagpipe bird, the guitar gnu, the squeezebox serpent, the windblown hare – and the title track, sung by an Ialma member in an invented language, comes second at Eurovision. Calculating, yes, but infinitely preferable to the UK’s sad “nil points” opus.


© 2004 Andrew Cronshaw
 

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