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Written in
fRoots
issue 295/296, 2008
TRIO MIO
Stories Around A Holy Goat
GO’ Danish Folk Music GO 0707 (2007)
Perhaps the best evidence for a successful musical revival, be it folk music or
any other, isn’t so much the numbers of people participating but the creation of
a flow of new material that’s at least as strong as the old repertoire.
If that’s the case, then proof that the Danish
roots music revival is doing well resides in Trio Mio – fiddler Kristine
Heebøll, piano, accordion and harmonium player Nikolaj Busk and (admittedly
Swedish) bouzouki and guitar player Jens Ulvsand.
What began as a band to accompany Heebøll’s tunes
has become a melody-factory, with all three of them composing; melodies, and
tightly structured harmonisation and arrangements that draw on folk forms and
rhythms to make pieces that, as well as having the lift, energy and space for
individual expression of folk music, could well enliven a classical string
quartet’s repertoire. Heebøll’s shapely, uplifting Wedding Waltz For Mari And
Johnny, for example, in which the trio are joined, as they are in Busk’s big
Øresund March, by a trio of Swedes: Dan Gisen Malmquist on clarinets,
Anders Ådin’s on hurdy-gurdy and Ola Hertsberg’s nyckelharpa. A scattering of
songs by Ulvsand have begun to slide into the flow, too, over the last couple of
albums.
The album ends with Pigeon Scottish, which
begins as a tango, morphs into schottische, back into lyrical accordion-led
tango, overlays the two, introduces some spoken-word muttering, back into
schottische with vocal tralling, and ends, echoing the title of the last album
Pigeon Folk Pieces, with pigeons cooing the tango rhythm.
No goat though. (Well, just a piece - track four
is a traditional Swedish hornlåt)
It’s to be had from
www.gofolk.dk (the album, not the goat – get
that from www.goatfolk.dk…).
© 2007
Andrew Cronshaw
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