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Written in Folk Roots issue 148, 1995
VARIOUS ARTISTS
Musical Traditions Of Portugal
Smithsonian Folkways CD SF40435 (1995)
NÉ LADEIRAS
Traz Os Montes
EMI-Valentim de Carvalho 7243 8 31806 2 2 (1994)
Number 9 in the Traditional Music of the World series is, as one might
expect of a release by the Smithsonian’s Center for Folklife Programs and
Cultural Studies in conjunction with UNESCO’s International Council for
Traditional Music and the International Institute for Traditional Music, an
impressive collection, coming in a box with a thick booklet in English and
Portuguese.
Don’t be put off by the weight of academia,
though; these 30 recordings by Max Peter Baumann and Tiago de Oliveira Pinto are
a highly listenable and substantial introduction to the regional styles and
textures of Portuguese traditional musics, from bagpipes, flutes and drums and a
song about rapist soldiers recorded in the north-east, through religious and
ritual songs both solo and in powerful acapella ensemble, a generous helping of
instrumental fado from the Quarteto de Guitarras de Coimbra, to dance music
bands, ranchos folkloricos, one from the Tejo featuring accordion, triangle,
guitar, cana and clay pot, and two more from the north-west incorporating
vocals.
Né Ladeiras on Traz Os Montes sings
traditional material from the north-east region of Portugal, Trás os Montes
(“behind the mountains”), specifically the area of the border town of Miranda do
Douro. The singer and her music are thus in origin strongly rooted, but this
album in its modern, elegant but robust-textured and non-washy production looks
outward to a wider audience.
She’s a fine singer, and the tunes are varied and
memorable with arrangements by keyboards, bagpipe, flutes and accordion player
Ricardo Dias using Portuguese and mainstream instrumentation. Touring and the
right distribution or licensing (the EMI-Valentim de Carvalho deal is apparently
just for Portugal) should, on the evidence of this release, make Né Ladeiras a
welcome Portuguese presence in world music.
© 1995
Andrew Cronshaw
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