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Written in
fRoots
issue 274, 2006
MARENOSTRUM
Almadrava
Som Livre SL 0675-2 (2005)
From Portugal comes this short burst of chugging, bouncing, danceable,
rhythmically varied south-European music. Marenostrum, a trio of lead
singer, guitarist and mandolinist José Francisco, bassist and accordionist Paulo
Machado and drummer Janaca, is from the coastal town of Tavira in south-eastern
Algarve, and as the album title implies their lyrics often relate to the sea, as
a poetic influence and perhaps the route to other musics. Their largely
band-composed songs and tunes lurch cheerfully between the rhythms of southern
Portugal and influences from Cape Verdean music with touches of African,
klezmer, Latin and Andean.
Much of the character of this, their second
album, comes from the contributions of the other musicians including Guinean
guest electric guitarist Mamadi and, particularly, the combination of
accordionist Emanuel Marçal and trombonist Victor Afonso. Though these two
appear on most tracks and are a key part of the band’s sound and arrangements
here, it seems they don’t perform with it live.
With several of the sort of tracks that might be
picked up by world music radio DJs or downloaders, things go pretty well for a
while. But those who buy the CD on the strength of that might find it a little
disappointing. After just twenty-four minutes we’re at the penultimate track, a
Cape Verdean traditional tune given a somewhat Andean treatment featuring
flautist Sérgio Mestre, a friend of the band since its inception twelve years
ago, who died in 2003 and to whom the album is dedicated. The piece, like most
here, lasts a couple of minutes or so, but then the track runs on in silence,
presumably in tribute, for a couple more, prompting the assumption the album has
finished, though the piece is hardly a closer. Neither is the actual final track
that follows, a slight two-minute last waltz of echoey space-synths and guitar
from the core trio. And that’s it – just half an hour including silence.
© 2006
Andrew Cronshaw
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