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Written in
fRoots
issue 343/344, 2012
LEPISTÖ & LEHTI
Radio Moskova
Aito AICD 017 (2011)
It’s remarkable how attractive audiences around the world find this, on the face
of it simple, accordion and double bass duo. But there’s an involving
lyricalness and completeness to their playing, a warmth in the original tunes
they make that evolve from Finnish traditional music, including tango, and
expand to touch other traditions.
Markku Lepistö, long one of Finland’s finest players of
the diatonic push-pull melodeon-type accordion and the bigger chromatic button
accordion, and bassist Pekka Lehti came together while playing with Värttinä,
and in doing so seem have worked out that just an accordion and bass can not
only cover the sound spectrum pretty effectively but be drawn out into some
sounds and interactions they wouldn’t be prompted to try in a bigger band.
This album projects their charm and innovative musical
ease with one another, and the booklet notes, short though they are, give just
enough context for each item in a pleasing varied, rich-sounding set that often
has echoes from their not overly distant youths. In Snadina, Lehti’s
nonchalant whistling, Ennio Morricone film-score style, over a slabs of rolling
melody, is inspired by his memory of whistling to dispel fear when walking home
as a child alone through a dark forest. The title track recalls his listening in
the 1970s to Radio Moscow on a valve radio, and wrecking the same radio when
playing bass guitar through it in the subsequent decade’s punk rock. The opener
is a waltz for a present-day two-year-old by Lepistö, and the album ends with a
gentle traditional march that he remembers as played and sung by the local brass
band and choir during his childhood.
The likeableness of the music carries through to the CD
pack itself, an innovative piece of cardboard-folding by a Swedish manufacturer
that protects and presents the CD in a way that neatly mirrors the folding of
the accordion bellows printed on it.
www.aitorecords.com
© 2011 Andrew Cronshaw
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