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Written in fRoots issue 201, 2000
KROKE
The Sounds Of The Vanishing World
Oriente RIEN CD 24 (1999)
Kroke’s previous album, recorded live in England at the Pit, was an absolute gem
of Polish Klezmer soul and modern adventurousness. Further British shows since
then have seen them consistently deliver that exquisite balance between
fireworks and slow, sad intensity.
This new release was made in the studio back home
in Cracow, the city from which the trio, violin/viola player Tomasz Kukurba,
accordeonist Jerzy Bawol and bassist Tomasz Lato, takes its name. It’s a
beautifully recorded piece of work with its own splendours, and further widens
the territory, but overall in contrast to Live At The Pit it seems
measured and self-conscious. Perhaps it’s the lack of the extra spark and focus
that a live audience, even the tiny one at the Pit, brings, perhaps it’s the
attempt to express themes like Air, Fire, Water and the title track, but
this time there does seem to be rather an imbalance of impressionistic floating
as against hard melody.
In an uncharacteristic lurch into cliché, Time
has, yes, a clock ticking, not just as an intro but right through the track and,
of course, its alarm rings at the end. That’s the second appearance on my
current review rack of a “whassat?...jump-up...oh, dammit, it’s on the track”
nerve-jangling bell, and it’s not kind, guys; in fact it means that there’s six
minutes of this album with the power to irritate, so the whole thing gets played
less than it would.
They’re still magnificent, though, and there’s
much here that does hit the spot. The playing throughout is luscious, and
Bawol’s Love (Lullaby for Kamilla), for example, shows their ability to
compose a heartbreaking tune.
© 2000 Andrew Cronshaw
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