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Written in
fRoots
issue 302/303, 2008
JOUHIORKESTERI
Nikodemus
Ääniä AANIA-5 (2008)
A quartet of horse-hair strung Finnish bowed lyres, sounding like a swarm of
huskily raspy fiddles or, in the case of the bass jouhikko, cello-deep, but with
a slithering, edgy pitching from the fact that the strings are stopped not
against a fingerboard but with the back of the fingers, which play the melody on
one or two of the three or four strings while the remainder are bowed
simultaneously as drones. They’re most at home with a skipping chug rhythm
created by a wrist-flicking bow-reverse on the beat.
The group comprises four leading Finnish jouhikko
players: the instrument’s chief reviver and maker Rauno Nieminen, who wrote the
jouhikko bible Jouhikko – The Bowed Lyre reviewed in fR294, Ilkka
Heinonen, Pekko Käppi and Marianne Maans. Maans and Käppi also contribute
vocals, hers dulcet and his gnomish, and Nieminen also plays jew’s-harp and
overtone whistle. In material substantially drawn from transcriptions from 19th
and early 20th century players including the Karelian Feodor Pratšu and album’s
titular Nikodemus Hirvonen of Kesälahti, plus some originals, they can make a
pretty beefy sound that sometimes, for example on the energetically pulsed
Rackulbacka, reminds one of the first acoustic trio incarnation of Hedningarna.
www.aania.fi,
www.jouhiorkesteri.com
© 2008
Andrew Cronshaw
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of many of the CDs in these reviews; it's connected to his excellent online magazine
Rootsworld.com
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