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Written in
fRoots
issue 280, 2006
ILGI
Ne Uz Vienu Dienu – Not For Just One Day
Upe UPE CD 069 (2006)
With the restrictions of life in the former Soviet Union and the big changes
since Latvia and the other Baltic states bailed out of it, it hasn’t been easy
to bring the insistent, narrow-compass minimalist melodies of Latvian
traditional music to a world stage. Ilgi, led by singer-fiddler Ilga Reiznice
and Māris Muktupāvels, player of kokles, bagpipe and other traditional
instruments, have been working on it throughout that period, and it’s been a
long road, including collaboration with Ainars Mielavs’ rock band Jauns Mēness,
line-up changes and set-toughening US touring.
In this set of songs of courtship and marriage,
rich with nature imagery and sun, god and goddess references, the quintet (the
others contributing vocals, guitar, trough fiddle, mandolin, domra, balalaika,
bass and percussion) is joined for a track each by Ugandan Samite’s kalimba and
voice and Marc Fedder’s banjo, but in general the album, while probably Ilgi’s
strongest yet, isn’t radically different in sound from its immediate
predecessors. Except, that is, for the much heftier than usual, hypnotically
guitar-churning, bass-bowing, bagpipe-squealing incantatory track Dej,
Eglite, Lec, Eglite (Fir Tree Is Dancing), a sudden leap into
Hedningarna-like territory that might be the one that caught the ears of
European world music DJs and propelled the album into the European World Music
chart. The packaging too, as usual with releases on Mielavs’s Upe label, is
eye-catching.
It’s available online, for a remarkably reasonable price, from
www.upe.lv, and three full tracks are listenable
there too.
© 2006 Andrew Cronshaw
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