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Written in
fRoots
issue 345, 2012
HILJA GRÖNFORS & LATSO DZINTA
Kai Tu Dzaha? – Where Are You Going?
Global Music Centre GMCD 1122 (2011)
For years Hilja Grönfors gathered, virtually alone, the songs traditional within
her Finnish Roma communities, and sang them when she could.
In 2005 she was honoured as an important
tradition-bearer with the title mestaripelimanni by Kaustinen Folk Music
Festival, and taken to the heart of the Finnish folk music scene. In time a
group of non-Roma musicians gathered to accompany her and became Latso Dzinta,
and she has also been lauded in bigger concert productions involving leading
folk and rock musicians.
She handles it with great dignity and grace, dressed in
the elaborate lace-ruffled, big-skirted attire that she and many Finnish Roma
women still wear as their normal clothes, and her singing, soaring, sensitively
hovering, beautifully poised and richly musical, seems with the increased
attention she now receives to have gained even more in confidence and stature
without any loss of her warm, honest modesty and charm.
On this second album with the group the songs are of
sadness, poverty, suffering, prison, but also of the pleasure of love, roses,
horses, sleigh-driving and outdoor life.
Hilja’s songs and singing, mainly in Finnish but
sometimes Romani, while in some stylistic touches, particularly slide and
vibrato, comparable to that of Roma from further east, and sometimes that of
Scottish travellers, have a distinctive Finnish Roma character.
But in Finland, while there are a few Roma guitarists
and accordionists, there isn’t the strong tradition and skill-pool of Roma song
accompaniment that exists in central and eastern Europe, and much of her singing
was in the past perforce unaccompanied. So the band has pretty much had to
develop its own approach, and what they’ve come up with is natural and
sympathetic, a flowing mix of Valtteri Brun’s manouche-influenced guitar,
Kiureli Sammallahti’s central-European-tinged accordion, Kukka Lehto’s emotional
violin, Riku Kettunen’s trilling, chopping mandolin and Sara Puljula’s double
bass.
www.globalmusic.fi
© 2011 Andrew Cronshaw
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