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Written in
fRoots
issue 295/296, 2008
DVD
CYMBALOM LEGACY – The Soundscape of Miklós Lukács
Amaní Productions / Steve Weiss Music (2007)
This film, shown at London’s Ritzy cinema as part of this year’s Gypsy Film
Festival curated by Garth Cartwright, would be a perfect fit in BBC4’s
intelligent and interesting European Roots series. Researched, written,
and beautifully filmed and directed by Amsterdam-resident Mexican director Mano
Camón, it centres on Hungarian Roma cimbalom virtuoso Miklós Lukács but also
manages, in a very natural and watchable way, to cram into its 45 minutes a
wealth of wider information about the instrument.
The pre-title sequence sets the tone: a moodily
lit close-up sequence with Lukács preparing to play, tying cotton-wool onto his
beater-sticks and then launching into a dazzling piece, shot from above rather
than the usual unrevealing audience view. It leads into a short, clear history
of the instrument he plays - the big, finely engineered pedal-damped cimbalom,
developed in Hungary in the late 19th century - illustrated with a
well-researched set of old stills and archive movie footage.
Further into the film’s well-edited flow are
extracts of performances, including Roma band Técsöi Banda, a Romanian Roma
street cimbalist playing in Budapest, Lukács playing in Mitsoura’s band,
illustrative concert footage of other cimbalists, a visit to the Budapest
workshop of Ákos Nagy, who is now the only maker of pedal cimbaloms, all
intercut with interview footage with Lukács, who is a thoughtful and
knowledgeable speaker.
He talks about his development as a player, and
his influences, which include jazz and particularly Oscar Peterson, and in the
course of the film he plays a handful of solo pieces (which can be picked out of
the DVD menu to play separately) and in clips with his own quintet and singer
Beáta Palya. Son of a cimbalist, he entered his first competition at the age of
nine, and 1986 black and white footage shows the tiny besuited player delighting
a concert hall with extraordinary confidence and skill. Carrying the skills and
his ideas onward in the present day, we see him teaching a promising young
cimbalist one-to-one at Budapest’s Talentum music and dance secondary school,
which has classes in the playing of traditional and Roma music.
Made almost single-handedly by director Camón
(with, incidentally, impeccably recorded sound that celebrates the instrument’s
rich resonances), this is an elegant piece of work, and as far as I know it’s
the only documentary there is about one of the world’s most capable and complete
instruments.
www.amaniproductions.eu. The DVD is available, for the price of a CD, from
US online shop www.steveweissmusic.com
© 2007 Andrew Cronshaw
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