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Written in
Folk Roots
issue 28, 1985
BOOK, with 2 flexidiscs
GERALDINE COTTER
Geraldine Cotter's Traditional Irish Tin Whistle Tutor
Ossian Publications, ISBN 0 946005 12 5 (1985)
A musician of classical conditioning came one day upon a traditional whistle
player warming up before a performance. "Oh", he said - and not to himself, for
that was not his wont - "I didn't think whistle players ever practised".
The tin whistle is an instrument of elegant
simplicity of form, capable of great expressive sophistication. Geraldine
Cotter's book is an excellent point of access to the basic techniques and to an
understanding of Irish styles of phrasing and ornamentation. All the tunes, from
the first exercises to the appendix of "100 choice Irish airs and dance tunes"
are interesting. The importance of creativity and variation is repeatedly
emphasised, with warnings against slavish imitation, either of the dots or the
versions of the tunes on the two accompanying flexidiscs.
For the complete beginner the first stages,
including learning to sight read melody lines, could take some time to master,
and some of the ornaments look tricky in print, and indeed in execution need
practice, control and experience, but there's enough instruction in this package
to take a learner from ignorance to competence and the beginnings of an
understanding of both the Irish tradition and the way of music in general.
No mention is made of tuning, or of tone
sweetening. Not all players mess around with the fipple of their whistles, but
anyone intending to play with others needs to know about getting in tune, and a
softer tone can be an improvement. (As the introduction comments, the Clarke's
whistle has a particularly good tone, but only comes in C; one day perhaps the
makers will try some in D, and be surprised by the sales). It might also be
worth saying that the flat 7th fingering may vary on whistles other than
Generation.
Good, though, not just for beginners but even for
snooty classical recorder players.
© 1985
Andrew Cronshaw
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