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Written in
fRoots
issue 256, 2004
BUKKENE BRUSE
Spel
Heilo HCD 7188 (2004)
TORE BRUVOLL & JON ANDERS HALVORSEN
Nattsang
Heilo HCD 7194 (2004)
Opening with the beautiful, stately Folketone Fra Sunnmøre, in which
Bukkene Bruse is accompanied by the Vertavo string quartet, Spel by the
Norwegian quartet of Annbjørg Lien, Arve Moen Bergset, Steinar Ofsdal and Bjørn
Ole Rasch casts balm on the soul. Not that it’s all slow and stately; after the
opener they launch into En Enda Villere Vinter, with the string quartet
ripping in with just as much energy as the band.
Since it is a live album (and one so well
recorded that it has all the quality of a studio work), a scattering of old
favourites from Annbjørg’s and the quartet’s repertoires show up, reworked and
shining, among the gorgeous melodies which are mostly from tradition with a
scattering written by Annbjørg, Ofsdal or others.
Bergset’s singing has matured from scrubbed boy
tenor to a masterly plainsong-like range and control, while keyboardist,
arranger and producer Rasch, who joined the group several years after its
formation, has had a transforming effect in enriching its sound and scope. What
started out in 1993 as a collaborative project between three star soloists -
player of hardingfele and nyckelharpa Annbjørg, singer and fiddler Arve Moen,
and Steinar, doyen of Norway’s breathy and reedy traditional whistles – has
become a band, moving between powerful ensemble and commanding soloing in
exquisite material.
Jon Anders Halvorsen is a young singer of vocal
perfection not unlike that of Arve Moen Bergset, and with similarly high
credentials. A member in the mid-nineties of the traditional vocal group
Dvergmål, a couple of years ago he won the vocal prize at the Landskappleik, and
teamed up with guitarist Tore Bruvoll.
Nattsang marks their joint leap forward
into the Norwegian roots front line, not just vocally but in terms of musical
classiness and choice of material. With the subtle, sophisticated and entirely
well-matched tones of Bruvoll, percussionist Per Oddvar Johansen, Gjermund
Larsen’s viola and Arve Henriksen’s smoky trumpet, Halvorsen brings us a set of
traditional ballads sung in his native Telemark within the past 150 years, some
from collections and some learnt from living singers. Apart from the quiet
excellence of the music, the melodies and stories will be a something of a
revelation to any disposed to assume that the English and Scottish ballads are a
unique phenomenon, or that Norwegian tradition is all Vikings and sagas.
© 2004
Andrew Cronshaw
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