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Written in fRoots issue 197, 1999
VARIOUS ARTISTS
Big Red
Nascente NSCD 053 (1999)
RAKOTO FRAH
Flute Master Of Madagascar
Globestyle CDORBD 027 (1999)
On the big red-earthed island of Madagascar CD players are a rare rich person’s
commodity, so the radio and cassette remain the main electronic media, but CDs
released by foreign labels and touring abroad have made some Malagasy musicians
and bands well known on the world music circuit.
International success for the more rooted
aspects, rather than for the bland global-pop derivativeness toward which
Malagasy radio and cassette music was drifting, has over the past few years
aided a re-energising of the island’s commercial pop by some degree of
reconnection with the unusually varied and characteristically lively, jubilant
music most Malagasy have known and participated in all their lives, at home and
at social events such as the famadihana re-burial ceremony or the remarkable,
crowd-stirring performances by hira gasy troupes.
Big Red, compiled for the mid-price
Nascente label by Ian Anderson, is an attractive, timely introduction to the
varied riches of Malagasy music already available on the world market, drawing
on eighteen of the hundred or so extant CD releases. It’s not label-tied; the
tracks are from a number of foreign labels (though, as usual with compilations,
the occasional transnational wouldn’t release a desired track) and from
Madagascar’s Mars label.
Here are many of the most creative performers,
commercial bands to brilliant soloists and legendary players, international
tourers or not, from around the island, with key instruments such as valiha,
marovany, guitar, kabosy, accordion, harmonica, sodina, fiddle, snickety hand
percussion and drums, and intricately syncopated dance rhythms such as salegy
and tsapika. Throughout there’s the exuberantly melodious, tightly harmonising
Malagasy singing.
The distinctive playing styles are often personal
rather than simply regional or tribal; the most talented musicians evolve new
approaches, such as accordionist Regis Gizavo with his dazzling right-hand
syncopation over big, rolling left-hand chordal grooves, or Solomiral’s Haja,
who has installed extra transducers in his electric guitar to give it an unusual
dry plucked sound which connects with the music of valiha and marovany (the
Madagascan tube and box zithers, heard here in the hands, among others, of
Justin Vali, Rakotozafy and Madame Masy).
Of course, there are fine musicians and bands who
haven’t recorded, even for cassette. Way back in 1985, when the outside world
was fairly familiar with televised lemurs and chameleons but very little was
heard of the Malagasy people or their music, Ben Mandelson and Roger Armstrong
went in search, and recorded material for Globestyle’s Madagasikara
series of LPs.
Volume 3, now released on CD with an extra track
and new booklet notes, is devoted to Rakoto Frah, the most famous player of the
breathy, end-blown flute, the sodina, with a dancing, syncopating style. He’s
been a prolific maker of tunes and songs, leading both hira gasy and famadihana
groups, with their different requirements and musical styles, and both aspects
are featured on Flute Master Of Madagascar, in which he plays with a
group comprising two other sodina players, thrumming kabosy, ambio (claves),
military-style rope-tensioned snare and bass drums, and the voices of two of his
young grand-daughters. For a taste, there’s a track on Big Red.
© 1999 Andrew Cronshaw
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