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Written in Folk Roots issue 174, 1997
SUSANNE LUNDENG
Ættesyn
Kirkelig Kulturverksted FXCD 178 (1997)
Susanne Lundeng is one of the fiddlers who, if I played the fiddle, I’d like to
play like - just the right phrasing, shape and tightness of turns, tone, and
taste in tunes.
She’s from the north of Norway, and, in keeping
with her regional tradition, plays ordinary fiddle, not hardingfele. Live she
has that crucial sense of the demonic. Her previous album, Drag, is one
of that select bunch I inflict on friends - highly listenable, rich with
variety, elegant-sounding but open to fun and clatter. Ættesyn continues
in the same vein - strong traditional melodies and her originals which focus and
intensify what obviously excites her about her tradition, by turns soaring in a
stately brurmarsj or driving hypnotically.
On 1994’s Drag there was a single song,
which gave a glimpse of her capabilities in that direction; here there are two,
one unaccompanied and one with piano, further proof she could be a leading
singer too. Morten Huuse plays accordion, piano and organ, Odd A. Eilertsen bass
and charango, and Finn Sletten percussion.
The Kirkelig Kulturverksted label is a source of
a substantial proportion of the new, beautifully produced and packaged
Norwegian-rooted music - Lundeng, Arild Andersen, Kari Bremnes, Knut Reiersrud,
Iver Kleive et al.
© 1997
Andrew Cronshaw
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