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Written in Folk Roots issue 180, 1998

GAITEIROS DE LISBOA
Bocas Do Inferno

Farol FAR 00016 (1997)

VARIOUS ARTISTS
Music From The Edge Of Europe - Portugal

EMI Hemisphere 7243 8 59270 2 7 (1997)

Gaiteiros de Lisboa is, I reckon, currently by far the most exciting, innovative, quirky non-fado new-roots band in Portugal. Bocas Do Inferno builds on the exploratory momentum of the previous album, Invasőes Bárbaras.
      Despite the name, the bagpipes - gaitas de fole and Galician gaitas - are just one aspect of this five-piece. Dominant are male voices chanting, grunting, muttering and drawing on the Alentejo tradition of gritty vocal harmonising (in one piece featuring guest Jerôme Casalonga’s soaring tenor lead in a link with Corsican tradition) with powerful deep real-skin thundering and clattering on bombos and other percussion. Added to that are the glorious gaitas and a whole lot of other strong-textured wind instruments from Portugal, China and elsewhere, including brass, various single and double-reed instruments, ocarinas, a keyed plumbing-tube square construction called Serafina and a mouth-blown pipe organ even more felicitously called an orgáz (whose wheezy tones meet panpipes at the heart of a witty rendition of Sousa’s Wash Post). About half the raw material is traditional Portuguese, the rest new-made by the band’s Carlos Guerreiro and José M. David.

      Gaiteiros de Lisboa hasn’t recorded for an EMI associated label, so doesn’t appear on the Hemisphere Portuguese compilation, but a lot of other leading performers have and do, including the queen of fado Amália Rodriguez and the doyen of players of fado on guitarra Carlos Paredes. It isn’t a complete overview of Portugal, but it’s a well-sequenced set of elegant music rich with soaring, hovering, yearning singing and a lyrical, dreamy musical flow. Among its 18 tracks there’s the band Madredeus, Né Ladeiras with two songs from her album of songs from the Tras Os Montes region of north Portugal, a tantalising drifting single track from the vocal group Lua Extravagante followed by the misty vocal over Diva’s rhythm and strings of Natália Casanova, and a couple of Vitorino’s Alentejo-rooted literary chansonnier songs with intriguing titles; one here is Bolero Of The Sensitive Colonel Who Made Love in Monsanto. We don’t get his All Men Are Sissies When They Have The Flu, though.
     

© 1998 Andrew Cronshaw
 


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